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Posts Tagged: Arri Alexa

SOC Awards 2016: Geoff Haley, Camera Operator Of The Year Nominee For ‘Steve Jobs’

SOC Awards 2016: Geoff Haley, Camera Operator Of The Year Nominee For ‘Steve Jobs’

Nominated for Camera Operator of the Year by his peers, Geoff Haley helped make Steve Jobs the visually striking drama that’s garnered so much attention this awards season. We spoke with the nominee at this year’s SOC Awards about his work on the film, such as their choice of (3) cameras and their use of Zeiss […]

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Band Pro Open House: Band Pro & IB/E Unveil New Macro Lenses

Band Pro Open House: Band Pro & IB/E Unveil New Macro Lenses

About this time each year manufacturers and shooters alike look forward to the Band Pro Open House. It’s a great time of catching up with friends and seeing some great products. Typically you expect an update on when a product may ship or perhaps an announcement of some new firmware. What you don’t expect is a new […]

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ARRI ALEXA & AMIRA 11.0 Update: ProRes 3.2K, 4K, Improved Image Quality & More

ARRI ALEXA & AMIRA 11.0 Update: ProRes 3.2K, 4K, Improved Image Quality & More

For all you ALEXA and AMIRA users, ARRI has released Software Update Packet 11.0, featuring “an ALEXA ProRes 3.2K recording format for productions requiring 4K UHD deliverables, and ADA-5 — an enhanced debayering algorithm that further improves ALEXA’s image quality.”

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5 Ways To Use Your Smartphone on Set 

5 Ways To Use Your Smartphone on Set 

As smartphones become more and more integrated into our society, we find ourselves becoming increasingly reliant on them in both our personal and professional lives. This is especially prevalent in the film and television world as the analog medium becomes increasingly rare and digital takes over.

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Peter Taylor (Gravity) Wins Camera Operator of the Year for a Feature Film

Peter Taylor (Gravity) Wins Camera Operator of the Year for a Feature Film

When I interviewed cameraman and nominee Peter Taylor, ACO, SOC, nominated for the film Gravity, I couldn’t wait to chat with him regarding not only how it was shot, but how he was dealing with some of the criticism coming from folks who feel that a film with so much CGI.

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